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SÉVIGNÉPARIS

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Sévigné Paris

The Maison

An online-only jewellery Maison. We re-edit jewels from archive drawings; each piece is made for you by a partner jeweller in Australia, India or the United States, who ships it to you directly.

Jean Petitot, enamel miniature, c. 1670 · Louvre

Who was Madame de Sévigné?

A marquise, a pen, a century.

Marie de Rabutin-Chantal, Marquise de Sévigné · Paris 1626 – Grignan 1696

Born on the Place Royale, orphaned at seven, married at eighteen, widowed at twenty-five: Marie de Rabutin-Chantal moved through the Grand Siècle as a free woman — the Hôtel de Rambouillet, the court of Louis XIV, the salons where French wit was made.

For twenty-five years she wrote to her daughter, Madame de Grignan — more than a thousand letters: the court, the trials, the fashions, the jewels one wore and the jewels one sold. Published after her death, they made her the first intimate witness of the seventeenth century.

Her name survives in a jewel: the “sévigné”, the bodice brooch shaped as a ribbon bow and set with diamonds, found in every parure of the eighteenth century. It is this bow that the Maison chose as its emblem — and its first collection.

“One must glide over many thoughts, and pretend not to see them.”

— Letter to Madame de Grignan, 1671
1626
Born in Paris, Place Royale
1671
The correspondence with her daughter begins
1725
First edition of the Letters
18th c.
The “sévigné” bow enters the jewellers’ vocabulary

Made to order

One drawing, one jewel, made for you.

  1. Choose the drawing

    Across five periods and five categories, every piece points to its archive plate.

  2. Compose your piece

    Natural or laboratory-grown (synthetic) diamonds; historic gold-and-silver setting, or platinum; size and engraving.

  3. Receive it at home

    A 30% deposit at order, balance before shipping. Made by a partner jeweller in 8 to 10 weeks and shipped to you directly; insured delivery, a facsimile of the plate and a numbered certificate of provenance.

The Maison’s intention

No piece without an archive.

The prestige of a drawing lies in what it tells. We pass it on with the jewel: its source, its context and the work of its interpretation.


SÉVIGNÉPARIS